I was late starting this week’s AlphaBot due to some last-minute tax snafus. Just as I was about to begin I found out about the Boston Marathon explosions. So the whole time I was doing this I was thinking of those who ran into the disaster area to help the wounded. I’m sure most of you have heard or read this quote from Fred Rogers:
“When I was a boy and I would see scary things in the news, my mother would say to me, ‘Look for the helpers. You will always find people who are helping.’ To this day, especially in times of ‘disaster’, I remember my mother’s words and I am always comforted by realizing that there are still so many helpers – so many caring people in this world.”
- Mr. Rogers
Here’s the latest in my Artificial Emotional Intelligence series for AlphaBots. I’m learning quite a bit about emotions in researching this project. Except that I’m ending up with more questions than answers.
For instance, disgust to me seems absolutely fundamental & visceral, more physical than mental at least in its roots, yet some think it’s an emotion that must be learned. I suppose that’s true in some cases, but if you’ve ever seen a baby eat something bitter, this robot’s expression will look quite familiar.
I recently read an article about people with trypophobia– extreme revulsion at the sight of clustered holes. I found most of those images appealing actually, but I love all sorts of patterns in nature. On the other hand, hair in a bathroom drain gives me the major creeps, beyond all reason.
There does seem to be a fair degree of variability & irrationality involved in disgust. What disgusts you that others don’t mind? What do you find tolerable that grosses others out? Do you think these reactions were “hard-wired” or did you acquire them over time? Do you find context important? Do you think disgust is always related to fear?
I tried to make this robot look something like a bitter pill, or perhaps a bacterium of some sort… luckily a shape that Illustrator’s gradient mesh seems to comprehend a little bit more easily. That gave me time to get a little carried away with a rivet effect using the dotted line stroke.
My Illustrator interest may have crossed the line into obsession. The other night I dreamed I was trying to control my husband’s snore volume using Bézier curve handles, & getting very frustrated with Illustrator when it didn’t work! Perhaps that’s my subconscious telling me that I’m asking too much of this program? In this case an old-school poke in the shoulder was much more effective. ;-) At least I woke up laughing, which isn’t always the case when the snore volume goes to 11!
Well, I’m mighty late with my AlphaBot this week, but at least I’m in time to wish you all a blissful Valentine’s Day with Oddment 200!
This is the second in an alphabetical robot series I call Artificial Emotional Intelligence. The BlissBot’s wires tend to get a bit disheveled when in the throes of his eponymous emotion. But it’s all part of his programming. ;-)
Speaking of programs, I’m using this series to teach myself how to “paint” in Adobe Illustrator. In this piece I made extensive use of the gradient mesh, which partly explains why it’s so late! It’s an amazing tool, but it can drive one a bit nuts, especially as a newbie. And of course I’m still not really satisfied. I hope one shining day to figure out how to make AI gradients tamely do my bidding. For now they definitely still have my knickers (& often my Bézier curves) in a twist. So much for my hope that I’d be as blissful making this bot as I was angstful for the last!
Here come the AlphaBots!!
I decided my theme would be Artificial Emotional Intelligence. Each bot will represent an emotion. Should be fun!
I also decided (probably very foolishly) that AlphaBots would be the perfect opportunity to teach myself Adobe Illustrator. (AI for AI, get it?) I’ve used it now & again for some type/lettering work, but I’ve never tried to make an image with it before. It’s a whole new world & cranking out this simple little bot nearly drove me crazy! I’m still not at all happy with the gradients & such. I hope when I learn the ropes a little more I can touch him up, poor fellow.
Appropriately enough, I started the alphabet with angst– I certainly felt enough of it as I was attempting this effort!
The background text/texture is imported from Photoshop, as is the little belt buckle ornament, but everything else is AI. Wish me luck with this project! I hope the next one doesn’t take this long!